From ‘Bottle to Boot’: How Timberland’s New Spring Collection is Helping to Reduce Plastic Waste 

Thread CEO Ian Rosenberger.

Words: Kyra Hanson

Imagine unfolding your towel, spreading your body out in the searing sun, listening to the sea waves lapping against the shoreline, sinking your toes into the silky sand – only to find the grains beneath your feet aren’t silky or the colour of sand, but sharp, angular, brightly coloured bits of plastic. These days, a barefoot walk along a beach such as Newquay’s Tregantle Cove is more like hot-footing it through a football pitch-sized box of Lego. Plastic beaches are a common sight around the world, due to the eight million (at least!) tonnes of plastic, which end up in our oceans every year. But in Haiti and Honduras, Thread International is diverting this waste from the waterways, by turning it into wearable fabric. This spring, the sustainable fabric manufacturer has collaborated with outdoors fashion brand Timberland to launch ThreadX, a menswear collection made from recycled plastic. 

Savant caught up with Ian Rosenberger, founder and CEO of Thread and Margaret Morey-Reuner, Director of strategic partnerships, business development and values marketing with Timberland to trace the origins of the ThreadX collection. 

Photography: Taylor Free Solo

How did the idea for Thread come about? 

IR: I went to Haiti in 2010. My original mission was to document the aftermath of the devastating earthquake. While looking through the 3,000+ photos I took, I noticed they all had two elements in common: piles of trash and poverty in abundance. I remember writing in my journal: “if Haiti could turn trash into money = good.” Once home, I quite literally Googled: “What can you make out of trash?”. I discovered you can make fabric out of plastic waste, and the idea for Thread was born.

Bales at ECSSA.

Bales at ECSSA.

Collector picking up a bottle of the streets of Les Cayes.

Can you describe your first impressions of Haiti?

IR: I fell in love with Haiti and its people. After talking to Haitians and asking them what they really needed, I found the answer to be what we all fundamentally want – a roof over our heads and a way to give our kids a better life than we had. I was convinced an effective solution would require not just charity, but a money-making enterprise, creating real jobs for the Haitian people, returning the dignity, autonomy and purpose, which the earthquake had stripped away. 

Plastic flakes.

Can you talk us through the manufacturing process of the new Timberland collection?

IR: The process of going from ‘bottle to boot’ begins in Haiti, where more than 1,300 locals collect the plastic bottles that are ultimately developed into Thread fabric. The collectors sell these bottles to 50 Haitian-owned and operated collection centres. The centre owners and individual collectors transport and sell the sorted plastic to Haiti Recycling and Environmental Cleaning Solutions S.A. in Port-au-Prince. At Haiti Recycling, the production line washes and shreds the bottles into a raw material called ‘flake’, which is then sent to US-based factories that melt and shape the flake into a fibre, which is then woven into fabric. 

"Once home, I quite literally Googled: “What can you make out of trash?”"

Bales of plastic. 

Bales of plastic. 

Timberland purchases the high-quality fabric from us and turns it into durable bags and boots – culminating in the Timberland X Thread collection. Every yard of Thread’s Ground to Good™ fabric supports a network of dignified jobs in the developing world, creating income opportunities, and cleaning up Haiti’s neighbourhoods. It’s one thing to recycle but it’s another to have a lasting impact on people’s lives while you’re creating beautiful products.

Andre Benoit Dulisson and Marie Josette Alexis. 

Andre Benoit Dulisson and Marie Josette Alexis. 

Andre Benoit Dulisson.

Andre Benoit Dulisson.

Kids play soccer at dusk. 

Kids play soccer at dusk. 

Can you describe the thinking behind the design and look of the collection and who would wear it? 

MM: The Timberland X Thread collection utilizes lived-in fabrics for a comfortable look that our consumers enjoy. The city blazer, for example, speaks to a few current trends. Its natural earth tones and deconstructed silhouette are inspired by military uniforms and time-honoured suiting. Our boots are reimagined for year-round appeal and to suit today’s city lifestyle. In this collection the rugged canvas textures, washed leather touches and relaxed tailoring convey the perfect combination of tough-yet-lightweight durability that is unmistakably Timberland. 

Our brand – from classics to newer collections – has gained popularity among a diverse cross-section of men and women. The commonality is that they all appreciate our heritage, style and versatility. Most often, that person is someone who is connected to the outdoors, but in a more casual, everyday way. They care about the outdoors, but they also care about style. In other words, this person is a city dweller who goes for a casual afternoon hike or someone who leaves their house in the morning not knowing if they’re going to spend their afternoon at the park or at the movies. Timberland allows consumers to look and feel their best, from head-to-toe, for any adventure ahead.

Timberland x Thread.

It has been highlighted how plastic fibres (recycled or not) still ultimately end up in our oceans as they break away from our garments when put through a washing machine. What is Thread doing to solve this issue?  

IR: We are keenly aware of the issue of microfibers being released back into our oceans and believe more research and inter-organisational collaboration is needed to develop long-term global solutions. Thread chooses to partner with companies, like Timberland, that are committed to finding sustainable solutions to issues like this.

Uncollected plastic - particularly in coastal areas - is most likely to be washed out to sea. That’s an estimated eight million tons of plastic entering the ocean every year. In Haiti and Honduras, the lack of proper trash disposal and an abundance of waste are the root of many health and environmental problems. In Haiti, most plastics that are collected are eventually burned, releasing harmful toxins into the atmosphere. Thread continues to work to clean the streets of Haiti and Honduras by collecting and recycling trash. And, more importantly, we are creating dignified jobs for the people who live there, enabling them to improve their quality of life and provide for their families.

"I was convinced an effective solution would require not just charity, but a money-making enterprise, creating real jobs for the Haitian people, returning the dignity, autonomy and purpose, which the earthquake had stripped away." 

Delivery truck with super sacks of plastic. 

Delivery truck with super sacks of plastic. 

Both Will.I.AM’s ‘Ekocycle’ collection at Harrods and Pharrell Williams ‘Raw for the Oceans’ campaign with Adidas are steps in the right direction, but one barrier to the democratisation of sustainable fashion practices always seems to be price. Buying sustainably will never beat Primark prices so can we ever envisage a time when sustainable, transparent fashion is the norm? 

MM: I dream of the day when that becomes the case! But there certainly are some challenges the industry as a whole will need to address, including scalability to help bring pricing down, before it can become a reality. It’s exciting to see so many different companies, brands and organisations coming up with innovative solutions to tackle both environmental and social issues. In fact, since 2009, Timberland has given more than 270 million plastic bottles new life in its footwear. And it’s exciting to see the consumer demanding more transparency and accountability in the products they are buying.

Positive role models, such as the pop singers above are one way of encouraging people, and men in particular, into buying sustainably. When did you personally start thinking about where your clothes came from?

IR: Haha. If you saw my own wardrobe you'd laugh. Since I was a kid, I've taken the ‘less is more’ approach. I grew up on a farm in Pennsylvania, so clothes were worn for pure function. As an adult, that translates into the things I like: classic lines and patterns. I don't chase trends, but originally this wasn't because I was trying to be responsible, it was because I'd only own maybe six shirts at a time (which is definitely still the case). I really love thinking about how this idea might translate into the next apparel economy. What if we could have access to all the clothes we needed, and all we needed was six shirts?

What has been the most challenging aspect of Thread’s journey so far?

IR: The biggest challenge for Thread right now is making sure that our end-product is cost competitive with the fabrics or yarns that these brands are already using.

"What if we could have access to all the clothes we needed, and all we needed was six shirts?"

How do you envision the future of sustainable fashion and Thread’s place within it? 

IR: Thread aims to be the catalyst for positive change in the fashion industry, improving the economic, social and environmental impacts of making clothes to end poverty. Consumers don’t identify with a bottle, but they do empathise with the people who make the clothes they wear.

When Thread succeeds, it changes the way the apparel industry buys the materials it needs to make clothes. By focusing on goods rather than convenience, brands understand that there’s intrinsic value to the product they are making and the consumer is buying. This is the future of fashion. Thread’s goal is to work with 25 of the largest apparel and footwear brands in the world within the next two years. Timberland has been an excellent inaugural brand partner; stay tuned for future collaborations!

Shop the collection here.

 

A by B · COME Treasury Rugs: Stories of Artisanal Subtlety

B·COME is an ethical fashion studio and sustainable supplier agency located in Barcelona. We believe that sustainable fashion and green design is the future. We build strong professional relationships between suppliers, artisans, and brands. Our aim is to endeavor for ALL us to be the protagonist of the change.  Our main job implies to discover. Discovering and travelling is, without a doubt, what we truly love.

Alba Garcia and Anna Cañadell, B·COME Studio

How did you discover Treasury rugs? Describe your journey to India and discovering the rugs.

India is almost like our second home. Every two months we land into this wonderful destination filled with culture, colours and emotional sensations. Chance and luck often accompany us on our trips. During one of our trips, precisely, was where we found these treasures in the form of rugs. We were exploring the enchanting corners of Jaipur and we spontaneously decided to visit one of our supplier whom we had encountered at a fair in Delhi. Our first sensation when we saw the rugs was an instant crush, we felt "in love”. The harmony between the colour the detailed technique of each rug caught our attention. It was then when B ·COME´s first more personal project “A by B ·COME” was born.

What makes them unique?

The rugs are authentic and unique, as they are made by hand by passionate and loving artisans. Each rug has its own story and uniqueness to it. The subtlety of colors and the energy of the piece, reciting the country it comes from, is just fascinating. They aren't simply objects of home decor, but treasures from India that you could keep forever and, only by looking at them, instantly feel the energy of the country.

"They aren't simply objects of home decor, but treasures from India that you could keep forever and, only by looking at them, instantly feel the energy of the country."

What are the main techniques used and what puts an artisanal quality stamp on it?

"A by B· COME " rugs are made by a traditional Indian technique known as block print. It is the earliest and slowest process of textile printing due to its detailed designs, which are often impossible to recreate with other printing methods. Yet, it remains one of the most vivid techniques in India today.

Originally from Rajasthan, India, the method consists of creating their own carved wood designs that are later covered with colour and printed onto fabrics and paper by hand. The result is an imperfect art endowed with intention, emotion, and virtue. Each piece of block-printed fabric reflects the rich history of an ancient tradition, as well as the unique style of the artisans who made it.

 

"Each piece of block-printed fabric reflects the rich history of an ancient tradition, as well as the unique style of the artisans who made it."

Why is the heritage of traditional skills, like block print, important? Why we should help to preserve and cherish these skills and traditions deriving from India?

For B ·COME, quality and design are as important as the way things are made. Our main objective is to strive and empower all to become protagonists of change. We admire the work of artisans all around the world.

Even though technology has opened a wide door to opportunities to create new solutions and facilitate the production process, we are captivated by the life and work of artisans. Their imperfect artisanal products that have a whole story behind surprise ourselves every time we travel. We are excited to get to know about unique textile techniques, especially when those techniques have a whole history behind, such as block print.

When you see HOW and WHY in the first person, you understand and respect craftsmanship as an art. You create a close relationship with the people who have made it, and when they so passionately explain how things are done, you cannot help yourself to fall in love.

What are the main themes and stories running through the artisanal, handcrafted rug line?

For us, the thread is driver of colour, the sensitivity in the use of it. There are styles for all, but all of the rugs breathe serenity, subtlety, and stillness.

Our short story of “A by B ·COME “. From the small corners of India, our treasury rugs learn to fly through the deep blue sea. Lola, their flying lecturer is a world-traveller seeking to find beauty in artisanal objects around the planet. The treasury rugs love her, they want to embrace her and never leave her. Nevertheless, they know they have to undertake a trip in order to accomplish their mission. Along their journey, the rugs were amazed by the wonders of the universe, they observed unknown destinations and fulfilled themselves with experiences.

Behind each rug is a hidden story full of extraordinary moments. From the way they were brought to life, to their flying experience, as of course they had to rest in order to recover and arrive to their destination. They are seeking to find themselves a place where they can feel as home and offer their love as they did with Lola. But from time to time, you must let her fly!

"Our main objective is to strive and empower all to become protagonists of change."

What spaces could benefit from having a Treasury rug? What are their place and meaning in the interior the way you imagine it?

We believe that the space is determined by the personality and taste of each individual. Each rug will attract a different person according to its character and taste. We believe that having a Treasury rug could benefit spaces where they go beyond being perceived as interior objects, but as pieces that can bring back memories, tradition and history.

We imagine the rugs in spaces with delicate lights, neutral or with color, kitchens, bathrooms, rooms, small and big, living rooms. We have different sizes for the rugs to adjust to everyone. The smallest one of 0,90 X 0,60m is a perfect measure to give a touch of color and personality to a room or a closet.

We also have a big size of 1,20 X 1,50m where we imagine wide spaces which help to create amplitude and contrasts. Finally, we have the large rugs of  3,00 x 2,00 meters that we imagine in large outer spaces and terraces.

We adore contrasts. Treasury rugs create story according to current events and serve as a product with ethical values that goes beyond pure aesthetics.

"We believe that having a treasury rug could benefit spaces where they go beyond being perceived as interior objects, but as pieces that can bring back memories, tradition and history."

How do these rugs stand in line with B·Come's hard work so far advocating sustainability principles and transparency?

A by B·COME is completely aligned with B·COME´s philosophy. Since the moment we saw them, we understood and lived the art of block print in first person, namely, the conditions of the workers and the products used to make this art happen. The Treasury rugs are made with a noble cotton base, the color dye used is toxic free, and the technique is performed only in solar time, in fact, this technique is conditioned by atmospheric conditions.

Tell us a good reason, what makes an artisanal rug worth having in the first place?

As mentioned previously, block print is more than a technique, it's an art. We believe that having Treasury rugs for our project A by B ·COME is more than having an interior design object, but a story to complement your house, studio, your life.

Our mission is to transmit the essence of the country through treasures from India. In this case, the rugs become a piece of art or a memory, in which you know that every time you would look at it will remind you of the beautiful and fruitful county India is. We have selected different designs and patterns to allow people to choose according to their taste, personality and energy.

How can we get hold of one of your selected rugs?

For the moment, we are still looking and studying the best method to allow every person in the world to have access to our treasury rugs. For now, the orders can be directly done via mail to info@bcomestudio.com at B·COME.

We are in the process of selecting unique concept stores, who have a similar philosophy as B·COME.

We would love to mention Rita Puig Serra, a young and aspiring photographer based in Barcelona. As without her,  her eye and camera we could not bring the essence and image of A by B·COME to live.


Visit their website and make sure to follow them on Instagram.

Read more here. 

 

Studio August: Embodying Conscious Consonance

Studio August SS17.

I accidentally travelled to Paris one March weekend, only to discover that in addition to the buzz and bravura of another frivolous fashion week prevailing the city the attendance of which I (despite my rigorous attempts) failed to escape, there was an opening event of BMA (Brand Management Agency) showroom in the upbeat Le Marais district one Friday night. Further to my amusement, two dynamic Estonian brands had already been picked up by the new agency! Sustainable, yet immaculately classy Studio August, bringing together GOTS-certified fabrics and blissfully harmonious, symmetrical lines, among them. So, I sat there (with a glass of Savignon Blanc in one hand), carefully caressing and admiring these elegant Nordic designs from Studio August's new mindfully-crafted collection, communicating the very essence of 'Parisian chic'. The pieces that had travelled all the way from Nordic Estonia to our favourite fashion capital, of course. That encounter passionately fueled my genuine interest in Estonian sustainable fashion, let alone, I immediately yearned for an inspiring one-to-one with the head designer, Äli Kargoja, to keep myself on the pulse of the diligent and humble, yet rapidly evolving and incredibly sought-after Nordic sustainable fashion scene.

How did your journey of becoming a designer take shape? 

This journey was a rather natural one for me, I knew for a long time what I wanted and everything I did was shaped towards this vision – creating my own line of clothes. My first experience in the industry started as a model, doing shows, showrooms, photo shoots, fittings etc. I had the opportunity to move to Paris and I didn’t hesitate even once on wanting to study there. I enrolled in Studio Bercot fashion school, and these were the most important years of me becoming a designer. My creativity bloomed incredibly during these 3 years. To this day, I am very grateful to my teachers for all their work and support. Life then took me under the talented hand of Nicolas Andreas Taralis and from there to an internship in sales team at Maison Martin Margiela. I designed my first collection for August in 2014. 

What were the main cornerstones August was based on? What was the main outlook for you since its inception? 

The main outlook was firstly rather selfish - to express myself creatively and do what I love. As an admirer of minimal aesthetic, I definitely saw lack of that style in my home country. That’s one of the many reasons I decided to base myself here [in Estonia] in the beginning. Another reason was lack of mindfully made sustainable clothing lines in the world in general, to this day.

Studio August SS17.

Studio August SS17.

Also, sustainable fashion is clearly something quite novel in the Estonian market. How did you find your way to sustainable fashion?

I find that it’s a strong value for a clothing brand, definitely something to stand out with. It's also good to have a more meaningful mission, rather than just starting another clothing label – to give people the choice to consume consciously. 

Who is the woman August is meant for? Wrap it up in a sentence.

August’s customer is a confident woman, who expresses her being, choices and way of thinking/consuming also through the way she dresses. A woman who appreciates comfortable everyday classics with an edge and to whom sustainably made clothes and certified organic fabrics make a huge difference. 

Studio August SS17.

How did your brand find its way to be represented by BMA in Paris? What are the larger goals and opportunities being part of this project brings?

We were contacted by BMA agency about 6 months ago. It brought us a lot of useful feedback from the buyers all around the world. It will surely play its role to help August reach more customers eventually. 

What are your prospects on the international marketplace? How does this idea of 'Parisian chic' tie in with your brand and collections?

As I mentioned earlier, the most important growth for me as a designer took place in Paris during my school years, so it must have injected a fair amount of Parisian chic into my designs as well.

What would you like to bring out as a highlight of your journey as a designer? What would you still like to improve?

I'd like to think I am improving every day. The highlight was the decision to stay true to what I love doing the most, to have the courage to take the beautiful challenge of creating my own line. 

"It's also good to have a more meaningful mission, rather than just starting another clothing label – to give people the choice to consume consciously." 

Studio August SS17.

Studio August SS17.

At BMA opening, many of us went like, 'Oh, this is like COS, but better'. What's your viewpoint on that comparison? 

COS has beautiful designs. I like their pure Scandinavian aesthetics. But I do try to stand out with my selection of fabrics and also with the sustainable idea behind the brand. 

Is there anything you'd like to see changing in the Estonian fashion system? 

I hope to see changes in the behaviour of the consumers, not only in Estonia. To choose well, there has to be willingness to pay more money for quality that lasts, and avoid fast fashion chains that provide shirts for 7€. A change in consumer behaviour will force changes up on producers and, further along, the ways our clothes are created. 

Studio August SS17.

What are your personal tips for consuming less and being a more mindful shopper-consumer? 

Listen to your conscious! Buying a T-shirt for 7€ means that someone in that production chain has suffered one way or another. In some unfortunate cases even passed away because of tragic accidents, like Rana Plaza in 2013. 

Who have been your main influencers in your journey as a designer?

I can’t point out a particular person of influence. All the people dear to me have a part in it one way or another. 

Studio August SS17.

Studio August SS17.

"A change in consumer behaviour will force changes up on producers and, further along, the ways our clothes are created." 

Share a thought with us about the future of responsible fashion.

I am convinced that responsible fashion is not a passing trend, but something permanent to stay. Consumers have a growing interest not only towards the clothing, but also towards the values and identity behind the brand. It is important that conscious clothing brands put more emphasis on creating clothes that are stylish and pleasing to the eye to change the stereotype of sustainable clothing being something only for yoga lovers.

https://studio-august.com/

 

#WhatToWear: Tencel is Trending

What is Tencel? Is it the same as Lyocell, and where does it come from? I will try to give you some insights into this great material – a favorite of many of us eco-fashion girls.

By Johanne Stenstrup

Jazmin Quaymor / Unsplash.com. 

Jazmin Quaymor / Unsplash.com

I am, first of all, very happy with how it feels on the body, how it’s both warm and cool at the same time. This is one of the great things about Tencel, but here are some more details to get you interested:

– Dries quickly
– Is gentler on the skin than cotton
– Is biodegradable because it’s derived from trees
– Is recyclable

– Is of botanic origin and produces in a closed loop system which means no water or air pollution
– Keeps colour way better than cotton

Jazmin Quaymor / Unsplash.com. 

Jazmin Quaymor / Unsplash.com

So what is Tencel?

Lyocell and Tencel are essentially the same thing, which may be nice to know when you’re shopping. The name Tencel is only allowed to use when referring to fiber that comes from the European factory Lenzing, and they are also the ones who are furthest along in their environmentally-safe production methods. Tencel is made from wood. The wood is made into a wood pulp, which is then taken through a chemical solvent that extracts the cellulose fibers from the wood's. This is chemically spun into thin fibers, which can then be used for fabrics.

It’s sort of an abstract process, but I recommend this youtube video for the nerdy ones out there.

Is it sustainable?

What makes tencel good, is two things: first is that the wood used is often from more sustainable sources, like fast-growing trees, e.g. eucalyptus. Second is the closed loop system. Lenzing, who produce the most tencel, say that they recycle 99% of all water and chemicals.

Tamara Bellis / Unsplash.com. 

Tamara Bellis / Unsplash.com

Is it better for the skin?

Even though some pretty heavy chemicals are used in the solvent, they are all gone before the fabric reaches your skin.

Some say that tencel has antibacterial qualities and is healthier for your skin, but I personally have no solid proof to back this statement.

What I can say, however, is that tencel does not bleed colour. Ever tried putting on a dark pair of jeans and having it colour your butt? Or your black socks get wet and your toes turn dark? Tencel keeps the colour much longer, which also adds to it’s durability as a material.

Tencel is my new favorite material, and I think it should be yours as well. It moves beautifully, it feels great on the skin and it’s much better for the environment that it’s cousins - viscose and rayon.

SUSS UK: Imagine a World Where Fashion is Fair...

SUSS UK proudly announce a Kickstarter campaign for its upcoming pop-up concept store, promoting a sustainable lifestyle with ethical, environmentally and human friendly brands. Founded by two fashion industry veterans, SUSS UK are concerned about the irreversible damage being caused by our excessive levels of consumption. In just one year, the clothes discarded in the UK alone could fill Wembley stadium, the equivalent of 1.5 million tonnes of landfill every 365 days. 

The aim of the Kickstarter is to create a state of the art concept store open throughout September, stocking brands from across the globe including womenswear, menswear, kids-wear, homeware, beauty and food and drink, whereas offering an entire lifestyle not just a fad. What makes this pop-up different, however, is what it offers an experience beyond the shop floor. A series of talks will run throughout, with industry heavyweights giving insight into their sustainable life, whilst interactive workshops will give consumers a hands-on experience.

Savant spoke with the founders duo, Emma Grace Bailey and Abigail Grainger. 

What is SUSS UK in a nutshell?

SUSS UK is a start-up that aims to help change attitudes towards consumption by providing insight into the destructive nature of the fast fashion industry, inspiring people to buy better by providing access to sustainable alternatives that remain as stylish their high street counterparts. We love fashion, but we love our planet too. 

How does your professional background link with establishing SUSS?

Both of us have worked in the fashion industry now for a collective 20 or so years, Abi as a designer for the high street and Emma as a journalist, and so we have first hand experience of the inner workings and the very real need for change to prolong the industry that we love. 

What inspired you to take action and create your own start-up? 

Combining education and access, we're not just a shop trying to sell yet another fashion trend, and instead focus heavily on creating inspiring and insightful talks and workshops with some of the industry's most forward-thinking pioneers, teaching people about the devastating effects of fast fashion that are so often hidden away. Greater knowledge allows for more informed decisions and we truly believe that people are becoming more actively engaged in how they can help make a difference, no matter how small it might be. 

“Sustainability is not a trend. It is a necessary step which the fashion industry must take for the future of our planet. All consumers deserve to know exactly what they’re buying.” 

What are the main prospects and values represented by you?

Raising awareness is our main driver - the more people know about the issues caused by excessive consumption, from the start of the supply chain right through to the end with how we choose to wash and dispose of our garments, the more hope we have of making a positive difference.

We value honesty, transparency and the right intentions, values we instill into everything we do.

What are the different industries you aim to connect?

We want to offer a complete sustainable and holistic lifestyle, bringing together fashion, beauty, food and drink and even personal care, showing that with the smallest of changes we can make our every day life that little bit more conscience. But it's not just about what we buy. We are also dedicated to providing people with little tips and tricks that they can adopt on a daily basis to help make a difference.

Our Sustainable September tips series last year on Instagram saw beautiful illustrations depicting simple steps, such as taking the stairs rather than the lift or only hanging one item of clothing on each hanger so you know exactly what you own. We also celebrate people's efforts with our #isusseditout social media campaign - where we encourage people to take a photo of themselves holding up our hashtag, post it to Instagram and tell us how they're working towards a more sustainable life. 

What can we look forward to at the first pop-up event on April 8th? What brands will be represented?

Our first pop-up promises to provide a truly immersive offering that will enable visitors to not only support the super cool and sustainable brands we have on board in our store, but also actively participate in leading discussions about the future of the industry, the issues it causes from crop contamination to water scarcity, and hear from people that have been inspired to change their way of life in a bid to help counteract these effects.

In the store, we will showcase a carefully curated selection of stylish and forward-thinking brands from the likes of Kowtow, Ono Creations, Auria Swimwear and Kind. We want to change the way people view sustainable product by presenting it in a way that is exciting, design-led and on trend, which is why we are collaborating with a top set designer to help create a concept store that is an experience in itself. 

"We are very aware of the need to take a step back - not only to gain perspective but to bring a sense of calm into the craziness." 

What is your personal relationship with fashion?

Our personal connection to fashion goes right back to university days with both of us attending UAL, where we fell in love with the creativity, energy and beauty of the fashion world. Through this relationship it became clear to us that the issue of sustainability was only growing, and reactionary action wasn't coming quickly enough.

If you had to bring out your main concerns about the fast fashion industry, these would be...

We currently live as though the world is ours to own, but we are only tenants and we need to leave this planet how we would like to find it. Our fast fashion culture isn’t helping, and the secretive nature of the industry is only making it harder for consumers to realise the impact it has on our environment.

What is your personal relationship with meaningful living?

Living in London it's so difficult to disconnect and slow down - the fashion industry is fast-paced and as a result our lives are too. We are very aware of the need to take a step back - not only to gain perspective but to bring a sense of calm into the craziness. 

Although sustainability is trending, why do you think there is still very little awareness about sustainable fashion? How can we make it more visible and appreciated?

It's because sustainability is trending that it's not being taken seriously by the everyday consumer. Trends are fleeting - if people don't connect with them or understand them they're ignored as another one will be along in a moment. This cannot happen with sustainability. 

This isn't to say, however, that we should be condemning high street brands, but instead lets draw attention to the practices they already have in place to be more sustainable, and highlight the changes they plan to make for the future. Lets be more transparent about what they do and don't do, let's ask more questions. 

At present, the consumer associates the word with design that isn't stylish, that isn't cool, that isn't desirable. This isn't true, but until the brands that combine both style and sustainability get more attention and exposure - outside of the circle they currently live in - this perception won't be easy to shift. 

Fashion With a Conscience: Kickstarter Pledge Party:

Saturday, April 8th 2017

7.30pm-22.30pm @Stunt Dolly Salon, 582 Kingsland Road, Dalston Junction, E8 4AH

You can support the cause here

 

Arra Textiles: Handwoven With Love and Zero Waste

From the rugged mountains to shimmering lochs, Scotland has plenty to offer for one who seeks a balanced life. Drawing inspiration from nature, the Scottish zero-waste brand Arra produces long-lasting handwoven textiles. Their bespoke products are timeless and easy-to-wear. We spoke to Lucy MacDonald, textile designer at Arra Textiles, about how her design inspiration aligns with slow design principles.

Words: Johanna Raudsepp

Arra Textiles Merino Wool Throws.

Arra Textiles Merino Wool Throws.

How did you end up in the world of textile design?

My art teacher at school suggested I look at studying textiles after I created a dress made from recycled materials. I studied textile design at university in Scotland and Finland, specialising in weave. 

What is your favourite part about designing textiles?

I enjoy seeing a design evolve from being an idea in my head to a finished product and seeing and hearing people's reactions to receiving a piece as a gift or when they first see the work.

What is it about slow living and design that you love and why?

I like a piece to have a story behind it or meaning. I like to think that a blanket will be passed down through a family and become a part of a family's history. 

Ripple Cowl Scarf.

Besides being sustainable in your creative approach, do you follow such principles in your daily life? 

I try to buy clothes that will last and are made ethically and I use locally grown and/or home grown produce.

"I like to think that a blanket will be passed down through a family and become a part of a family's history." 

Wave Throws.

Ripple Cowl Scarf.

What has been the greatest thing you have learned along the way?

Patience! Starting a business is a slow but rewarding process! Also, people enjoy meeting the person behind the brand and like to have a story to go with a product.

You draw a lot of inspiration from the sea. How do you go about designing a new textile or print for Arra?

I take lots of photos and I make collages. I use the collages mainly for colour inspiration. I like to let the patterns develop by changing small parts of the design at a time.

 If you had to describe Arra Textiles with a piece of music, this would be...

It's hard to choose just one piece of music to describe Arra Textiles, as I like to think that each collection has a different feel and mood to it. If I had to choose a genre of music then it would definitely be a symphony. Separate design influences of light, sea and the natural world are woven together like an orchestral score where colour hues, weave structures and carefully chosen yarns combine to create a harmony within the final piece. 

Arra Textiles Ebb Throw.

Arra Textiles Ebb Throw.

You can purchase Arra Textiles here.

 

Everyday Ethical Luxury from Berlin: LUCKYNELLY Vegan Accessories

One of my favourite things about ethical fashion is how it urges creators to think outside of the box and be innovative in their entire design process. LUCKYNELLY’s animal-friendly ethos focuses on bold, elevated everyday luxury accessories. Made in Berlin, yet produced in Milan, LUCKYNELLY is challenging the norm of sustainability. From bags to jewellery to silk scarves - yes, even including touches of ethical silk! - their everyday goodies are true show-stoppers. Christine Rochlitz, founder of LUCKYNELLY, shared her take on slow design accessories.

Words: Johanna Raudsepp

LUCKYNELLY Vegan Accessories, 2017. 

LUCKYNELLY Vegan Accessories, 2017. 

Your entire brand focuses deeply on ethical creation. What do you value most about sustainable design?

For me, sustainable design means a slower approach [to creating] where no mass consumption principles are implemented. I remember when I was a teenager, there was a denim store near my hometown. I loved to wear super skinny denim from Levi’s and, at this time, they were already quite expensive. I had one pair in blue and one in black. I wore them for a few years and was always so proud of my jeans. 

Today, with all those big fast fashion chains, you don’t have the opportunity to ‘love’ your clothes because fashion and new trends change too fast, and it leaves you forever with an unsatisfactory feeling. Quality should really be more important than quantity. As Vivienne Westwood put it: 'Buy less, choose well, make it last.'

What's your take on slow living?

Slow living to me means that you focus more on things that are really important in life, like being happy, spending time with family and friends or pets, being outside, and spending time cooking. People are living at a fast pace every day, so they are always overwhelmed and their lives are non-stop, chaotic. I think it is time to enjoy life more and to flee of all this pressure.

"Today, with all those big fast fashion chains, you don’t have the opportunity to ‘love’ your clothes because fashion and new trends change too fast, and it leaves you forever with an unsatisfactory feeling."

LUCKYNELLY Vegan Accessories, 2017. 

LUCKYNELLY Vegan Accessories, 2017. 

LUCKYNELLY Vegan Accessories, 2017. 

LUCKYNELLY Vegan Accessories, 2017. 

Where do you draw inspiration from?

Nature inspires me the most. There are so many beautiful creatures and plants in absolutely fantastic colors and structures - for example, the Rose Chafer. For the Peace Silk Scarves [collection] I was inspired by images I took of flowers with my Canon Cam, and changed the colours and layers. But also my materials inspire me - working with things such as the genuine wood material, which is easy to work with, and the slate stone.

LUCKYNELLY Vegan Accessories, 2017. 

LUCKYNELLY Vegan Accessories, 2017. 

What is LUCKYNELLY's vision towards a sustainable future?

The vision of LUCKYNELLY is that people buy more carefully, thinking of where the clothes come from and if an animal or human had to die or suffer to create it, and truly act upon it. LUCKYNELLY also aims to demonstrate that vegan alternatives to animal leather are luxurious, fashionable, and fair-trade.

LUCKYNELLY Vegan Accessories, 2017. 

LUCKYNELLY Vegan Accessories, 2017. 

You can buy LUCKYNELLY accessories here.

 

#SavantGiveaway: Ice from Ash Ethical Jewellery

Interview with Anneliese Hauptstein, Designer and Director of Ice from Ash

What led to your interest in crafting zero waste jewellery?

My degree in Industrial Design exposed me to the reality of our consumer culture, the devastating condition of our environment and the unfortunate division of designing from crafting. Where once a designer was a maker and an expert in their material, the methods and forms, now the focus has shifted to the market, the machine and the bottom line. I chose instead to follow my passion for the materials themselves. I did a PhD in Materials Science and started my own studio exploring and experimenting with the most interesting materials and processes I could find. I keep it small, slow and local, working with natural materials and striving to make the best design choices I can, such as using recycled packaging and branding my own boxes.

What materials are you using?

My latest love is ceramics. I have a little kiln and I have been experimenting with melting silver wire works into ceramic pieces.

I am constantly looking into new processes and materials and weighing their pro-s and cons, whether that be the sustainability of the resource, the ethics of manufacture, or the energy in transport. I use a lot of silver, because it’s strong, durable, lovely to work with and recyclable. I use some leather, usually Kangaroo, as it is local, compostable and abundant. I have also started making pieces using mushroom and kombucha leather as a vegan alternative.

"Where once a designer was a maker and an expert in their material, the methods and forms, now the focus has shifted to the market, the machine and
the bottom line."

What does the whole process look like from the idea to actual pieces taking shape? What's the most difficult aspect of the making part?

I have a collection of little notebooks with research on subjects as varied as the Kikuchi patterns of crystals to evidence of aliens in ancient decoration. I add notes and sketches as I come across information that follows the tread. There is always a focus on the materials I could use and the techniques for making, so at some point this starts to take shape in the form of designs. I never really know how a piece will turn out when I sit down, but I do a lot of planning.

I find the most difficult part is staying true to the concept and not getting distracted by other ideas as I’m making. I work with other artisans to work out techniques and I try to make a lot of the decisions about materials, chains, clasps, shapes and construction before I sit down.

Who or what inspires you the most? Do you use any symbolism?

I am inspired by the various ways people from all over the world tell stories. The written languages themselves, of course, but also pictorial illustration, such as cave paintings, carvings, patterns and especially tattoos. I have had a fascination with tattooing for long time and love finding the hidden meanings in the assembly of images. The intersection of mythology and science also fascinates me.  My newest pieces refer to the flow of matter and energy from one state to another, starting with a sound and transitioning through the 5 elements of earth, wind, fire, water and ether. To me this is the oldest story.

Why is the synergy of nature and more material human world important to you?

Something fundamental changed when humans started creating their own materials and I feel it is very important for us to take full responsibility for the consequences of those choices and educate others to do the same. We can choose to surround ourselves with objects that are functional, durable, sustainable and desirable. In that way we will look after and respect the things we purchase.

"My newest pieces refer to the flow of matter and energy from one state to another, starting with a sound and transitioning through the 5 elements of earth, wind, fire, water and ether."

What defines good quality in jewellery design?

Quality to me is about a few things. How it makes me feel, how well it works on the body and how well it is made for its purpose. To me it is about artistic expression, cultural connection and personal style.

What's the meaning of the name, 'Ice from Ash'?

It refers to a process of transformation and alchemy, transitioning from one element to another in a way that goes against what we take to be possible, as if by magic.

What are your personal tips to a more meaningful lifestyle and how to get into a habit of consuming less?

Consuming to fulfill needs is just a mindset we have been taught. To change this habit we need to find fulfillment from within instead, in our actions, relationships, environment and ideas. Consuming in itself is not evil, objects are essential, we just need to learn to be mindful when we take something and kind when we give it back.

http://icefromash.com/wp/


Ice from Ash 'Wave Pendant' Necklace GIVEAWAY:

To WIN this gorgeous hand-made jewellery piece, follow @savant_magazine AND @icefromash on Instagram and comment #SavantGiveaway under the photo above.

Ice from Ash 'Wave Pendant'

Toneware with a Sea Urchin imprint, glazed with a handmade pumice and iron oxide blend and finished with a little sterling silver spot. 
Sterling silver fittings and chain. 
Packaged in a recycled card box.
Valued at $250AUD.

 

Aparaaditehas, Tartu: Slow Store Opens Its Doors

Words: Johanna Raudsepp

We are glad to announce that our friends and partners from Slow.ee have now opened their very first slow fashion store in Tartu, Estonia! The brand new Slow Store is located at Aparaaditehas (Apparatus Factory), which has long been a fantastic new lifestyle hub connecting sustainable design, creativity and food, enjoyed by the young and the old alike. 

The open conceptual space with high windows truly emphasizes taking it slow - taking that moment to breathe and being grateful for the simple things in life. Slow features a variety of conscious fashion brands and beauty products, but when it comes to product choices, sky is the limit! They also showcase sustainable lifestyle products and tasty treats. I got to try vegan chocolate from their shop and it was a-ma-zing.

Where is Slow heading now? Store owner and sustainability activist, Helen Puistaja, tells us the aim now is to go with the flow. “We have worked extremely hard to achieve this dream of having our own Slow store. Now that it’s here, we just want to take it all in and enjoy the moment.”

“I’m actually curious to know what items and brands our clients love most,” says Helen. She is looking forward to other curious minds coming in and discovering the realm of slow life. And let me tell you - it is definitely worth checking out! One’s own eye is the king.